Went for a masterclass conducted by American pianist, Julie Bees, this morning as an observer. And here are some notes that I jotted. Basically there were four pianists played in the masterclass---a sonata by Beethoven, black-keys Etude by Chopin, an Etude by Debussy, and Menuet Antique by Ravel.
1. Avoid using fingers 3 and 4 together, especially when u're playing trills.
2. Practice scales in this way--- play finger 1, followed by fingers 2 and 3 in clusters, use elbows to help your thumb to turn to finger one again, followed by fingers 2, 3, and 4 in clusters. Repeat this until the scale is finished.
3. The fleshy part of fingers have more nerves compared to the fingertips. Thus, play using the fleshy part of fingers help your brain to sense your finger more, and that's how you play piano without thinking much. (I doubt, playing using fleshy part of fingers couldn't run fast.)
4. Separate one hand part into two hands and listen to it.
5. Focus on the melody part rather than the accompaniment.
6. Alfred Cortot---a pianist who is famous in playing Chopin and Schumann's pieces.
7. Tips to play octaves---Lift your thumb when playing octaves. The wrist gets released when you lift your thumb. Do not play too loud, relax.
8. Debussy's 'tenuto' doesn't mean tenuto, they mean a little accents, so bring them out loud.
9. Stay contact to the keys so that it doesn't produce percussive sound.
10. Arms go circular motion easier and more natural rather than horizontally. Thus you can hit a key which is very far away by moving the arms in circular motion.
---feeling88yun---
26Sept2011
龙年乐融融 :)
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